|
|
|
|
|
|
Thomas Girtin
Kirkstall Abbey,Yorkshire-Evening (mk47)
c.1800
Watercolour
317x520mm
Victoria & Albert Museum,London
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Thomas Girtin
The White House at Chelsea
nn07
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Thomas Girtin
Bamburgh Castle,
mk81
Northumberland
c.1797-9
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Thomas Girtin
berry pomeroy castle,devon
mk247
1798,watercolor on paper,10.875x15.375 in,27.5x39 cm,sotheby s,london,uk
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Thomas Girtin
the tihe barn abbotsbuy
mk248 girtin farglade ofta de skissrt som ban gjorde ute i det fria,mran ban brukade begransa sig till tua eller tre farger manga blev forlaga till fullbordade akvaller men banromd att samlare aven ville kopa bans skissern vittnar om.
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Thomas Girtin
durham cathedral and bridge
mk248 vyer fran storbritannirn var mycket efterfragade nar kriget med frankrike bindrade folk fran att resa i ovriga europa. det ansags ocksa patriotiskt av de rika att bestalla bilder av brttiska nationalmonument. girtin kunde manipulera ljusforingen for att uppna den stamning som efterfragades, fran dramatiskt till fridfullt. han revolutionerade akvarelltekniken genom att slop grundfargen ocb mala med akvarellfargerna direkt pa papperet. sarskilt akvarellpapper var sallsynt ocb konstnarer malade pa allt slags papper.karduspapper. till exempel, uppskattades for den grova strukturen det anvandes egentligen som boljen till krutladdninger.
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Thomas Girtin
near beddgelert
north wales, 1798 watercolour 29x43.2cm
se
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Thomas Girtin
The collector of tithes
oil on Canvas(1663-1720)
cyf
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Thomas Girtin
Portrait of Thomas Girtin
18/19th century
cjr
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Thomas Girtin
Jedburgh Abbey from the River
1798-1799
cjr
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Thomas Girtin
Das Weibe Haus in Chelsea
1800
Dimensions 29,8 x 51,4 cm
cjr
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Thomas Girtin
Interior of Lindisfarne Priory
1797(1797)
cjr
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Thomas Girtin
Lindisfarne
1798(1798)
cjr
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Thomas Girtin
Bamburgh Castle, Northumberland
1797-1799
Dimensions 55 x 45 cm (21.7 x 17.7 in)
cjr
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Thomas Girtin
Die Kathedrale von Durham und die Brucke, vom Flub Wear aus gesehen
1799(1799)
Dimensions 41,5 x 53,6 cm
cjr
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Thomas Girtin
Guisborough Priory, Yorkshire
1801(1801)
cjr
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Thomas Girtin
Kirkstall Abbey, Yorkshire
1801(1801)
Dimensions 30,5 x 52 cm
cjr
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Thomas Girtin
In the Scotch Borders
cjr
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Thomas Girtin
Near Bolton Abbey
33 x 52 cm
cjr
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Thomas Girtin
Rue Saint-Denis in Paris
1802(1802)
Dimensions Deutsch: 39 x 49 cm
cjr
|
| |
|
|
|
|
|
|
|
|
|
|
|
1 | |
|
|
|
|
| Thomas Girtin
|
English Romantic Painter, 1775-1802
English painter, draughtsman and printmaker. With his rival, J. M. W. Turner, he extended the technical possibilities of watercolour and in doing so demonstrated that watercolours could have the visual impact and emotional range of oils. Although close in style throughout the 1790s, by 1800 Turner and Girtin were beginning to diverge: whereas the former dissolved forms to express his idea of Nature in a state of flux, the latter sought out a landscape's underlying patterns to convey his awe of Nature's permanence as well as its grandeur. Girtin's reduction of landscape to simple and monumental forms
|
